Post by Lucy Serrano on Jul 21, 2016 10:09:05 GMT
LUCY ELLIS SERRANO
PLAY BY: Lights Poxleitner-Bokan
♦ THE BASICS ♦
AGE: Twenty-Eight
GENDER: Female
ORIENTATION: Unsure
POSITION: Tattoo Artist♦ THE FREEFORM ♦
i'll always love you; that's how i was raised
When I was a kid, I used to love to draw. Everywhere. On paper, on myself, on the walls; it didn't matter, I was doing it. My parents used to chuck fits when I'd take a sharpie to the wall, cause they knew they'd be fighting it out of my hands. Kicking and screaming on the floor til I got it back again. They thought I'd grow out of it, but I never did. When I got older, I got better. Wasn't drawing on walls anymore, but I was building some kind of skill. It's funny when you look back and think of how wrecked you'd be if people actually got to oppress you.
let them be; let them go
You gotta understand; being a kid from the sticks in Australia is pretty boring. Not just that, but you’re pretty much asking for a dead end bloody life with nothing but a couple of kids and some backwater shitfest job in the local pub. Like, listen, I’d totally rather die than end up like my parents. Love them to fucking death, y’know, but that’s a shallow life. I moved here the second I got a chance to. Kicked around a couple of dead end jobs before I landed an apprentice spot in a tattoo shop. I was already into it, I guess, so it made sense like that. But I never figured I’d get so into it that it’d become a pretty well off job.
then i go and hide in plain sight like a lobby boy
When you work for a couple of years and you sort of start to branch out a bit, I guess more than just the usual crowd take notice. I mean come on, we’re living in a place of huge opportunity. Kids come here and they dream of like, the biggest gigs imaginable. Then what happens? They’re waiting tables or some shit like that. It’s such a waste, until I guess you either give up or reside to the fact that hey, at least you tried. Well, for me, catching sight of producers meant nothing. Getting hired to design and place tattoos on famous people for their movies? Easy stuff, when you’re good. Pays pretty well too.
all of my "let's just be friends" are friends i don't have anymore
Getting involved with a person is a super short lived experience. I’m only on set for weeks or months at the most and then… That's it. Everythings always kept quiet; well, as quiet as it can be. No one wants a scandal and to be honest, I’m not interested in selling those kinda secrets anyway. There’s a lot of personal time when you’re locked in a trailer with somebody famous. And hey, I’m pretty sure everyone likes the idea of getting dirty when you’re working. It works perfectly. For me, anyway. For them? Well... There's always the next gig.♦ THE PLAYER ♦
USERNAME: Eddie
AGE GROUP: Twenty-five
EXPERIENCE: 10 years
WHERE DID YOU FIND US? baebaebaebaebae
